Hi, everyone! Today I’m here to share a small (but interesting) interview I did with Darren Korb, via e-mail, about his music in Bastion and his composition process. For those who doesn’t know, Darren is the audio director for Supergiant Games, the studio behind games like Bastion and Transistor. I haven’t played Transistor yet, but Bastion has one of…
Hey, everybody! How have you all been? Some days ago I was at the Full Indie Meetup, here in Vancouver, and I met a nice guy (that I can’t recall his name, sorry), young game developer, and we started talking about sound in games – after he asked me what was my role in the game…
Hey! So, last week Winifred Phillips wrote a great article on comedic sound design and game music. It’s a pretty interesting article, where she talks a lot about what makes a SFX fell comedic and funny. Reading the article you can understand a lot about it, and how it turns out to be all about…
“The thing that is most important for us, as an audio team, is making sure that the person is always hearing the most important thing in the game, at the time they are supposed to hear it. So, when you’re firing your gun, that should be the most important thing that you hear in the…
Hey! How have you been? Well, today I wanna talk a bit of the Far Cry Primal game’s soundtrack. For those who doesn’t know, it’s a game from the Far Cry series, but this time you play it on the stone age. Yep, it’s an totally different thematic from the other games of the series, and maybe…
The A Sound Effect is on fire lately. Once more, I’m here to share a post of them: a great, great interview with the audio team from CD Projekt Red, the developer of The Witcher 3: Wild Hunt, where they talk about the how the sound of the game was created, developed and implemented. First,…
So, we’re back! After some days offline, because of the holidays, of course, I’m here to share a coll article by Kotaku: The Best Video Game Music Of 2015. It’s a list (and although I hate lists, sometimes they are necessary) of the best video game music of 2015, made by Kotaku staff. I don’t know if…
